theatre

There's no business like show business, and it's the main business I know: onstage, offstage, and everywhere in between.

theatre poetry scrimshaw	Epilogue by a Fool Jun. 01, 2022 \| Comments January 15 Prompt: King Lear, any, bastardry [sic].
theatre 3SF 2022 scrimshaw	A Well-made Dress May. 04, 2022 \| Comments February 9 Prompt: Any, any, how to make a woman happy - give her clothes with pockets, lots of real pockets, written for An Ideal Husband by Oscar Wilde.
theatre 3SF 2022 scrimshaw	The Prisoner’s Cell May. 02, 2022 \| Comments February 8 Prompt: Measure for Measure, any, mea culpa, written for the play by William Shakespeare.
theatre 3SF 2022 scrimshaw	A Metaphor Drawn from Taxonomy Mar. 28, 2022 \| Comments January 29 Prompt: Any, any, hedgehogs, written for The Importance of Being Earnest.
theatre 3SF 2022 scrimshaw	The Consequence of Matrons Mar. 09, 2022 \| Comments January 24 Prompt: The Importance of Being Earnest, Lady Bracknell & Cecily & Gwendolen, taking the girls under her wing.
Northanger Abbey movies theatre books	Northanger Abbey in Other Media Aug. 31, 2021 \| Comments This little satire of Gothic novels has received few adaptions, which may explain why it gets so little love from fandom in general.
theatre television books history	4 Ways to Geek Out on July 4 Jul. 03, 2017 \| Comments If you're stuck at home or just want to find a different way to celebrate, here are four ways to geek your independence out.
theatre	My Play Will Occupy the Stage May. 18, 2017 \| Comments Well, here's news I was not expecting to announce: the Women's Theatre Festival has selected a play I wrote for its second Occupy the Stage, a 24-hour event of staged readings.
theatre awards	#TonyAwards in NC May. 04, 2017 \| Comments Evidently, it's awards week (and hashtags as blog titles too). Monday the #INSPY nominations dropped. Next came this year's #TonyAwards nominations.
music theatre	Are Musicals DOA? Mar. 16, 2017 \| Comments It's not so much a question of profitability or viability, but durability: will modern musicals have the staying power of older classics?